Although college composition has traditionally been an
emphasis in departments of English and Rhetoric, strategies for using writing
in a wide range of other disciplines have been developed through such programs
as Writing Across the Curriculum or Writing in the Disciplines. The basic principle underlying these
initiatives is that writing is more than a technical skill to be acquired in a
first-year comp course but is, in fact, a mode of learning that can enhance
students' understanding of the content of the disciplines. From this perspective, writing becomes
a means by which students not only present but explore the knowledge they
develop in their disciplinary coursework. When students write in, say, a science or art or business class, they
are called upon to conceptualize and organize what they are learning in unique
ways. Rather than simply mirroring
back on a test the details of what they have taken in, they are challenged to
think about and integrate facts, ideas, and perspectives in ways that extend
their learning in new directions.
While the use of writing in disciplinary contexts is a sound
and useful pedagogical strategy, many instructors see assigning and responding
to writing as a challenging task. Some frequently-asked questions are: What does a good writing assignment look like? How do I find the time to read and
respond to papers? What do I do
about all the errors I see in my students' writing? How do I grade the papers my students turn in? While the decision to use writing in
your course does mean giving attention to perhaps unfamiliar teaching
methods-and does involve some extra time-there are ways of using writing that
not only are manageable but also generously repay your efforts by enhancing
your students' experience of learning in your discipline.
There are a number of ways that writing is used in
disciplinary contexts. Whether and
how you implement them depends largely on the course. Here are a few ideas that shoul help you to start thinking
about using writing in your classes:
* In-class writing
Having students write a brief impromptu piece in class is a
great way to get them interacting with material and to provide student
discourse for discussion in class. An in-class writing take about 10 minutes or so and should be in
response to a prompt (i.e. question or other discussion point) that is given on
the spur of the moment. This type
of activity requires students to organize elements from a domain of knowledge
into some level of coherent perspective-often a great advantage over class
discussion, in which many students don't feel conident in contributing. After the writing, you can have a few
students read their pieces and use those readings fo discussion.
* Responding to authors
When students are assigned to respond in writing to authors,
they are called upon to make sense of their reading in ways that don't happen
by simply reading and then discussing in class. But you do need to explain carefully to your students what
responding to an author means. You
don't want to get writing that simply repeats what an author says or that takes
a simplistic position in agreement or opposition to the text. Instead, you want to get your students
to really think on paper about what the author is saying. This can be done fairly generally, e.g.
by having students take a claim or perspective that is found in a text and
discuss its implications for a claim or perspective in another text. This would generate a variey of
responses. You could also be quite
specific and have everyone focus on the same thing, e.g. (in HIST 311 Early
America) "Does Howard Zinn's revisionist approach to Columbus's arrival in
America represent a balanced perspective on the event?"
* Short writings for discussion
Using responses to authors or other types of short writing
assignments is an excellent way to generate discussion among students. For example, a short writing could be
done as a homework assignment, students could be asked to bring three
additional copies to class, and then groups of four could be set up in which
each paper is read by everyone and discussion takes place. The multiple learning opportunities of
this kind of process are obvious, and the instructors role is that of roving
facilitator of discussion. The
papers should be handed in for credit and given a place in the grade for the
course.
* Longer papers
When students write longer papers (i.e. 5+ pages) for class,
they should be graded (for the purposes of "effort insurance"). Also, conventional wisdom on writing in
the disciplines says that longer papers should go through a feedback+revision
process in order to be really useful. Of course, the kind of assignment you give for a longer paper will be
driven by the content and curricular priorities. For help in designing paper assignments for your classes,
contact one of the coordinators of the program in Writing Across the
Curriculum: Edis Kittrell
(kittrell@montana.edu) or Kiki Rydell (rydell@english.montana.edu).
Responding to Student Writing
Using writing in your class does not mean that you have to
become a writing teacher. Composition instructors have specialized training and experience in many
of the details of writing instruction that you probably don't have the time or
inclination to develop. What you
offer to your students as an instructor is knowledge of the content of your
field and an awareness of what good writing in that field should look like. This is what you should focus on in
response to the papers that your students write. As you read a paper, you should ask questions such as: How well does this writing respond to
the assignment I gave? Does the
paper indicate that the writer understands the material? Is the discussion clear in terms of the
use of words, phrases, and ideas? Are the explanations, analyses, and arguments adequate? Naturally, student writing in your
discipline will not meet the standards of the professional work that you read
and produce. Instead, think of
your students' papers as initial attempts to construct knowledge in your
discipline, and think of your role as an expert reader who can help them
construct that knowledge in a clearer, more cohesive, and more informed
way. What this translates into is
reading almost exclusively for the content of what is in the paper. Student writers will benefit most from
your feedback when it focuses on what they are saying and how they can say it
better. When I read a student paper,
the two questions that always guide my reading are: 1) what does the writer seem to be saying (or trying to do)
in this piece and 2) how might the writer say (or do) it in ways that are more
effective?
The ideal context for giving student writers feedback on
their writing is the one-on-one conference. In small classes (or in larger classes with the support of
experienced TAs), such a process is feasible, but in the case of larger
classes, it's not. Whether the
feedback context is the individual conference or comments in writing, the same
principles apply: 1. Brief cryptic comments such as
"awkward", "unclear", "confusing", "wrong
word", etc., are useless. Instead, the writer should be engaged with questions and observations,
such as: "What do you mean by
X?" "Here, you make the
claim Y; what kind of support would help your reader to accept it?" "How does X relate to Z in this
section?" "Why do you
bring up Y here? Is it really
important to your discussion?" Since addressing issues in this way is a more involved engagement with
the text, many instructors have abandoned the age-old process of writing in the
margins and instead write a separate, brief response in the form of a paragraph
or two that is attached to the paper. In this format, you can "talk" your feedback to the
writer-explaining, giving examples, asking questions, etc. Of course, if you were to address
everything that would improve the paper, you would never have time to write it
all. This is why it's important to
focus on the big picture items: clarity, thoroughness of explanation and support, or whatever the prime
directives are in the assignment you have given.
Dealing With Errors in Student
Writing
One of the frustrations faced by instructors when reading
student writing is the presence of errors in punctuation, grammar, sentence
structure, etc. College teachers
have long bemoaned what they see as a woefully inadequate grasp of proper
English usage in writing. The
simple fact is that many of our students do come to us with limited fluency in
the mechanical conventions of standard written English. Another fact is that there is no
"crash course" in grammar that will fix these problems. Learning to write in mechanically
conventional ways is something that happens through reading good writing and
doing a lot of writing. Does this
mean that you should ignore error in student papers? The answer is both yes and no. On the "no" side, when a student hands in a paper
for a grade, it should be evaluated not only for its ideational content but
also for its presentation. Good
writing in any discipline is clean and conventionally sound. Students should be required to
proofread carefully and, if necessary, to get help from a more experienced
reader/writer who can point out their errors. However, they will do neither of these things if there are
no consequences for the presence of error in their papers. For this reason, the instructor should
make it clear that mechanical accuracy will make up a significant portion of
the grade for the writing and-crucially-that the paper itself will figure
prominently in the grade for the course. Experience indicates that when students understand this scenario, they are somehow able to marshal the
necessary resources to help them produce a largely error-free final paper. The other side of this coin is that a
preoccupation with error in writing that is in first draft form can be
counterproductive. While students
should be urged to at least proofread everything they hand in, the instructor
should be willing to read past the errors in much student writing in order to
engage with the content of the material. Except in the case of non-native English users, it is rare that errors
of grammar, punctuation, and sentence structure actually present significant
obstacles to undertanding what the writer is saying. More at issue is the annoyance that the instructor feels at
having to "put up with" mistakes in student papers. Instructors should understand that
student writing is an exploratory process and one that already causes a lot of
insecurity for many, due to their lack of fluency in written expression-as well
as the experience of having only heard and read criticisms of their writing
because of the mistakes they make. Instructors can encourage students in the writing process by focusing on
and engaging with the content of student writing, leaving an insistence on
correctness for when it counts.
Grading Papers
Grading student writing is a notoriously difficult
process. How does one decide what
aspects of the writing to assign significance to, and then how does one
quantify those aspects? Some
instructors use a six- or seven-trait scoring rubric, assigning points for
elements such as organization, support, mechanics, etc. Others grade based on a very general
wholistic impression. The former,
although giving the appearance of more precision, stills requires the
instructor to make subjective judgments. The latter runs the risk of grading on a curve, as student papers are
compared with one another, or of being subject to the peeves or partisanship of
the instructor. Your grading
policy for student papers will have to develop over time as you get a sense of
the place of writing in your class and how you want it to contribute to your
students' sense of success and responsibility. A reasonable expectation might be that students who get high
grades on tests will (and perhaps should) most likely get high grades on
papers-and vice versa. In any
case, keep in mind one of the key factors in grading: If you give writing a significant place in the overall
course grade, your students will write better.