 |
||
|
"O
the mind, mind has mountains; cliffs of fall Frightful, sheer no-man fathomed. " | ||
| 1. | THE COLLECTED WORKS OF WILLIAM SHAKESPEARE | |
| 2. | THE BIBLE | |
| 3. | DON QUIXOTE, Miguel de Cervantes | |
| 4. | ILIAD/ ODYSSEY, Homer | |
| 5. | METAMORPHOSES, Ovid | |
| 6. | FINNEGANS WAKE, James Joyce | |
| 7. | ORESTEIAN TRILOGY, Aeschylus | |
| 8. | TAO TE CHING, Lao Tzu | |
| 9. | THE BROTHERS KARAMAZOV, Fyodor Dostoyevsky | |
| 10. | ALICE IN WONDERLAND, Lewis Carroll | |
| 11. | TO THE LIGHTHOUSE, Virginia Woolf | |
| 12. | ULYSSES, James Joyce | |
| 13. | PALE FIRE, Vladimir Nabokov | |
| 14. | DIVINE COMEDY, Dante Alighieri | |
| 15. | COLLECTED POEMS, Wallace Stevens | |
| 16. | ARABIAN NIGHTS, Anonymous | |
| 17. | WAR AND PEACE, Leo Tolstoy | |
| 18. | BELOVED, Toni Morrison | |
| 19. | COLLECTED FICTIONS, Jorge Luis Borges | |
| 20. | CANTERBURY TALES, Geoffrey Chaucer | |
| 21. | ANECDOTES OF DESTINY, Isak Dinesen | |
| 22. | THEBAN TRILOGY, Sophocles | |
| 23. |
MARRIAGE OF
CADMUS AND HARMONY, Roberto Calasso | |
| 24. | KATHASARITSAGARA, Somadeva | |
| 25. | SHORT STORIES, Anton Chekov | |
| 26. | BHAGAVAD GITA, Anonymous | |
| 27. | 100 YEARS OF SOLITUDE, Gabriel García Márquez | |
| 28. | GRIMM'S FAIRY TALES | |
| 29. | INVISIBLE MAN, Ralph Ellison | |
| 30. | ABSALOM, ABSALOM!, William Faulkner | |
| 31. | WOMEN IN LOVE, D.H. Lawrence | |
| 32. | LOLITA, Vladimir Nabokov | |
| 33. | DIALOGUES, Plato | |
| 34. | REMEMBRANCE OF THINGS PAST, Marcel Proust | |
| 35. | THE TIN DRUM, Günter Grass | |
| 36. | COLLECTED SHORT STORIES, Flannery O'Connor | |
| 37. | GREAT EXPECTATIONS, Charles Dickens | |
| 38. | THREE NOVELS, Samuel Beckett | |
| 39. | THE INTERPRETATION OF DREAMS, Sigmund Freud | |
| 40. | HEART OF DARKNESS, Joseph Conrad | |
| 41. | FOUR QUARTETS, T.S. Eliot | |
| 42. | MADAME BOVARY, Gustave Flaubert | |
| 43. | MIDNIGHT'S CHILDREN, Salman Rushdie | |
| 44. | TRISTRAM SHANDY, Laurence Sterne | |
| 45. | COLLECTED POEMS, W.B. Yeats | |
| 46. | THE GOLDEN BOUGH, James G. Frazer | |
| 47. |
THE
IMPORTANCE OF BEING EARNEST, Oscar Wilde | |
| 48. | PRIDE AND PREJUDICE, Jane Austen | |
| 49. | THE BLACK PRINCE, Iris Murdoch | |
| 50. |
THE
MANUSCRIPT FOUND IN SARAGOSSA, Jan Potaki | |
| 51. | THE BACCHAE, Euripides | |
| 52. | VANITY FAIR, William Thackeray | |
| 53. | METAMORPHOSIS, Franz Kafka | |
| 54. | THE AENEID, Vergil | |
| 55. | TRISTAN AND ISEULT, Anonymous | |
| 56. | COLLECTED POEMS, William Blake | |
| 57. | THE GREAT GATSBY, F. Scott Fitzgerald | |
| 58. | ENDGAME/ WAITING FOR GODOT, Samuel Beckett | |
| 59. | COLLECTED POEMS, Emily Dickinson | |
| 60. | MOBY DICK, Herman Melville | |
| 61. |
THE
VARIETIES OF RELIGIOUS EXPERIENCE, Willliam James | |
| 62. | MY ANTONIA, Willa Cather | |
| 63. | THE CATCHER IN THE RYE, J.D. Salinger | |
| 64. | FATHERS AND CHILDREN, Ivan Turgenev | |
| 65. | LIVES OF A CELL, Lewis Thomas | |
| 66. | A DOLL'S HOUSE, Henrik Ibsen | |
| 67. | THE WIND IN THE WILLOWS, Kenneth Grahame | |
| 68. | A FAREWELL TO ARMS, Ernest Hemingway | |
| 69. | CHARLOTTE'S WEB, E.B. White | |
| 70. | HUCKLEBERRY FINN, Mark Twain | |
| 71. | LEAVES OF GRASS, Walt Whitman | |
| 72. |
IF ON A
WINTER'S NIGHT A TRAVELER, Italo Calvino | |
| 73. | JANE EYRE, Charlotte Brontë | |
| 74. | THE STORYTELLER, Mario Vargas Llosa | |
| 75. | EPIC OF GILGAMESH, Anonymous | |
| 76. | THE IDIOT, Fyodor Dostoyevsky | |
| 77. | CATCH 22, Joseph Heller | |
| 78. | WUTHERING HEIGHTS, Emily Brontë | |
| 79. | TESS OF THE D'URBERVILLES,Thomas Hardy | |
| 80. | THE MAGUS, John Fowles | |
| 81. | CEREMONY, Leslie Silko | |
| 82. | WALDEN, Henry David Thoreau | |
| 83. | NATIVE SON, Richard Wright | |
| 84. | NATURE, Ralph Waldo Emerson | |
| 85. | FAUST, Johann Wolfgang van Goethe | |
| 86. | TO KILL A MOCKINGBIRD, Harper Lee | |
| 87. | THE ORIGIN OF SPECIES, Charles Darwin | |
| 88. | PARADISE LOST, John Milton | |
| 89. | TOM JONES, Henry Fielding | |
| 90. | THE GOLDEN ASS, Apuleius | |
| 91. | THE ART OF MEMORY, Francis Yeats | |
| 92. | MIDDLEMARCH, George Eliot | |
| 93. | AT PLAY IN THE FIELDS OF THE LORD, Peter Matthiessen | |
| 94. | INNER CHAPTERS, Chuang Tzu | |
| 95. | CANDIDE, Voltaire | |
| 96. | THE BIRTH OF TRAGEDY, Friedrich Nietzsche | |
| 97. | PASSAGE TO INDIA, E.M. Forster | |
| 98. | THE SEA, THE SEA, Iris Murdoch | |
| 99. | TRISTES TROPIQUES, Claude Lévi-Strauss | |
| 100. |
THEIR
EYES WERE
WATCHING
GOD, Zora Neale Hurston
| |
 | Created by students in Literary Criticism Spring 1999, under the direction of Michael Sexson. Revised Spring 2001. sexson@english.montana.edu |